Reel Suite - July 12, 2010
Every third Wednesday, Beefcakes in tres chic P.C.
holds an amateur night contest to lure nascent succulent males and
their wallet-fat friends to the club. I decided it was important for
my growth as a blogger to experience the seedier side of the
entertainment world. Sign ups were at the ungodly hour of 10 pm. On
my drive there, I hit zero traffic, so I reached the area around 8. To
calm my nerves, I ducked into a Thai restaurant, where I covertly did shots of Jim Beam from a flask, gazing warily at the flashing "Beefcakes" sign across the street. At 9:45, I mustered the courage to enter the club. On stage dancing to the thumping bass of "Seasons in the Sun" was a hairless, dark-skinned man sporting a leather thong and a vacant stare, as if someone had made off with his joie de vive in
the dressing room. The clientele was a disjointed melange of
dork-retro mamas, lazy-eyed motel maids and toothless social workers,
all horking greasy appetizers and champagne cocktails. The smell was a
combination of elementary school paste and the perfume counter at
Target. I signed in with a cashier who I could swear was the "Fabulous" girl from the Orbit commercials, then was unceremoniously ushered into what they call "the beef pit", basically an airless, soul-destroying holding room. As I plunked my Simon LeBon carrying bag containing my costume onto the green 60s carpet, I could see the other contestants' eyes darting from my face down to the bag, arching their brows, curious as to its contents. The air was thick with the unease of oiled-up men sharing a confined space. It was as if we were trapped together on one of those D-day amphibious landing vehicles, headed for the unyielding rifles of the enemy on Omaha Beach. We knew why we were all there. It was FUBAR, but we would all go down together.
After a midget they call Boss Daddy rattled off the contest rules, he gave us the performing order. I would go on second after Venom, a pliable African-American, who looked like the love child of Flip Wilson and Gumby. At the end of his act, he lifted one of his legs behind his back and up over his shoulder, sticking his big toe seductively into his mouth, all timed perfectly to the final measures of Paul Davis' "'65 Love Affair". I quickly slipped into my costume, which consisted of a Star Trek Enterprise uniform shirt, a traditional Scottish kilt, hush puppies and a cowboy hat.
The gravely voiced DJ introduced me. "Ladies, let's give a warm Beefcakes welcome to Backend Prophet!" As the opening strains of Duran Duran's "The Reflex" pulsed,
I glided onto the stage, bumping and grinding with unbridled passion.
The women at the tip rail stared slack-jawed. I worked the pole like
it was my third cousin. After flinging my hat into the crowd, I kicked
off my hush puppies, then swiveled my hips seductively, slowly removing
the kilt, revealing my twelve year old tighty whiteys. The tip rail
girls recoiled and retreated to the bar. I was filled
with unprecedented exhuberance. My newfound abandon, however, was
somewhat tempered by one wardrobe malfunction: my Star Trek shirt was
so tight, I couldn't fully remove it. It ended up coiled around one
arm and my neck. To cover, I improvised a dramatic pose at the end of
the song, one arm twisted and jutting out like I was in the Special Olympics of Stripping.
And Freedom, thy name is Beefcakes.
I'm there Mondays and Wednesdays. No cover, but if you want a lap dance, you'll have to buy me a $9 soda.
Kurt Barnet
0 TrackBacks
Listed below are links to blogs that reference this entry: Reel Suite - July 12, 2010.
TrackBack URL for this entry: http://mankabros.com/cgi-sys/cgiwrap/jpgordo/managed-mt/mt-tb.cgi/555

About Kurt Barnet
Kurt Barnet has been a Junior VP in Accounts Payable at Manka Bros. for over 15 years. He is single.
Recent Posts
Recent Comments
Archives
[What is this?]
Search