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Author Topic:   Theatre News
NEWSFLASH
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posted September 27, 2005 09:38 AM     Click Here to See the Profile for NEWSFLASH   Click Here to Email NEWSFLASH     Edit/Delete Message   Reply w/Quote
Winfrey To Produce Broadway Musical

Talk show host Oprah Winfrey is branching out to produce a Broadway musical based on Alice Walker's critically acclaimed novel The Color Purple. Winfrey starred alongside Whoopi Goldberg in the 1985 film version which depicts the struggles of a young black girl who is raped by her father. The plot is of harrowing significance for the talk show star as she also suffered sexual abuse as a child. And she hopes her fame will help the show reach a wider audience. She says, "I hope to open the door to the possibilities for a world of people who have never been or even thought of going to a Broadway show."

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NEWSFLASH
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posted September 29, 2005 09:06 AM     Click Here to See the Profile for NEWSFLASH   Click Here to Email NEWSFLASH     Edit/Delete Message   Reply w/Quote
Broadway Star Loses Husband in Chopper Crash

Tony-winning Broadway actress Bernadette Peters is mourning the death of her husband Michael Wittenberg, who was killed in a helicopter crash in the former Yugoslavia. The 43-year-old investment adviser died while on a business trip in Montenegro. Three others were killed in the crash. The couple married in July 1996 at the home of Mary Tyler Moore. Peters, 57, won Tonys for her roles in Song & Dance and Annie Get Your Gun and also appeared in the movie Pennies From Heaven.

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HollywoodProducer
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posted October 13, 2005 09:10 AM     Click Here to See the Profile for HollywoodProducer   Click Here to Email HollywoodProducer     Edit/Delete Message   Reply w/Quote
Playwright Pinter wins Nobel literature prize By Stephen Brown

British playwright Harold Pinter, a master of sparse dialogue and menacing silences who has been an outspoken critic of the U.S.-led war in Iraq, was the surprise winner of the Nobel literature prize on Thursday.

The 75-year-old Londoner, son of a Jewish dressmaker, is one of Britain's best-known dramatists for plays like "The Birthday Party" and "The Caretaker," whose mundane dialogue with sinister undercurrents gave rise to the adjective "Pinteresque."

An intimidating presence with bushy eyebrows and a rich voice, he was described by Swedish Academy head Horace Engdahl, who announced the prize, as "the towering figure" in English drama in the second half of the 20th century.

Pinter told Reuters Television he was "overwhelmed" by the news: "I haven't had time to think about it but I am very, very moved. It was something I did not expect at all at any time."

Asked why he had won, Pinter mused: "I wonder, I wonder."

Critics called him an unexpected but deserving choice for the 10 million crown prize -- the second Nobel this month with an anti-U.S. flavor, after the Peace Prize for the U.N. nuclear watchdog which is criticized by Washington.

An active human rights campaigner, Pinter has likened U.S. President George W. Bush's administration to the Nazis and called British Prime Minister Tony Blair a "mass murderer" for invading Iraq.

The world of theater hailed the new Nobel laureate.

"It's wholly deserved and I am completely thrilled. As a writer he has been unswerving for 50 years," said Tom Stoppard, another of Britain's greatest post-war dramatists. Playwright Alan Ayckbourn called it "a most fitting award."

"This is a writer of the highest integrity. I think the Nobel committee got it right," Michael Colgan, director of the celebrated Gate Theater in Dublin which is currently staging a celebration of Pinter plays and readings, told Reuters.

"A NUISANCE"

Pinter was not always so popular. "The Birthday Party" played for just six days in its inaugural run in London in 1958 and had an audience of only half a dozen people in one matinee.

But he soon overcame what Stoppard called "the bewilderment and incomprehension of critics and audience."

His play "The Caretaker" was acclaimed two years later and went to Broadway. Pinter, who had trained and worked as an actor, also gained a reputation as a director and screenwriter, with film credits like "The Servant" of 1963, "The Go-Between" of 1971 and "The French Lieutenant's Woman" in 1981.

Always outspoken on politics and human rights, Pinter was described by one biographer as "a permanent public nuisance, a questioner of accepted truths, both in life and art."

In 2003 he wrote a poem on the U.S. invasion of Iraq saying: "Here they go again,/The Yanks in their armored parade."

"Harold Pinter has positions about the Western world that are extremely pronounced," French literary critic Raphaelle Rerolle of Le Monde newspaper told Reuters.

"His plays have an indirect political content as well," said Rerolle, who believes the choice of Nobel laureates is becoming "more radical." Last year's winner Elfriede Jelinek of Austria is a hard-line left-winger and feminist.

The Swedish Academy has a reputation for favoring writers with left-wing, anti-U.S. views, though it denies that politics play any part in its selection of Nobel laureates.

"I think the world is going down the drain if we're not very careful," Pinter said at his London home. "It's a very dangerous world as we all know, and I don't think this country (Britain) is helping at all."

"Iraq is just a symbol of the attitude of the Western democracies to the rest of the world and how they choose to exert their own power," he said.

(Additional reporting by Simon Johnson in Stockholm, Caroline Brothers in Paris, Paul Majendie in London and Jodie Ginsberg in Dublin)

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AuthorAuthor
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posted November 02, 2005 10:14 AM     Click Here to See the Profile for AuthorAuthor   Click Here to Email AuthorAuthor     Edit/Delete Message   Reply w/Quote
George Bernard Shaw dies 1950 in Ayot, St Lawrence

George Bernard Shaw, born in Dublin in 1856, is best remembered as a
dramatist, although throughout his life he was a prolific writer,
satirist, novelist, critic, wit and journalist. A dedicated socialist, his
political leanings often had a major influence on his work, both in his
plays (such as Major Barbara) and in his commentaries (The Intelligent
Woman’s Guide to Socialism and Capitalism). Pygmalion is perhaps his most
famous work, the story of flower girl Eliza Doolittle who falls under the
tutelage of the bullying phonetician, Professor Henry Higgins. The play is
a brilliant and humorous reworking of the myth of Pygmalion, exposing the
inherent superficiality of the class system and its effect on individual
lives. Shaw endowed the National Gallery of Ireland in his will, a legacy
considerably enhanced by the royalties from the musical film version of
his play, My Fair Lady. Shaw, who died as the result of a fall from an
apple tree he was pruning, was also a Nobel prizewinner.

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indiedan
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posted November 09, 2005 09:12 AM     Click Here to See the Profile for indiedan   Click Here to Email indiedan     Edit/Delete Message   Reply w/Quote
Spacey Installs Autograph Flap at Theatre

Hollywood actor-turned-theatre director Kevin Spacey has installed an 'autograph' flap at London's Old Vic theatre, so he can safely meet and greet fans following performances there. Since becoming artistic director at the historic venue, Spacey's celebrity has drawn huge crowds to watch his plays. He is currently performing in Shakespeare's Richard II - bringing even more theatre fans keen to catch him in action. Many of whom pack the stage door desperate for a glimpse of the star or his autograph. The scale of his support has grown so much he has now fitted a clever contraption that allows him to reach out to the crowd and grab programs and scraps of paper to sign without greeting fans in person. A source tells London newspaper the Evening Standard, "The flap was Installed last week. Kevin loves it. He signs autographs between 10:30pm and 10:45pm. Not only does it make autograph-signing much less hassle but he also feels safer as he doesn't have to open the stage door." Last year Spacey was mugged for his mobile phone while walking his dog near the theatre in the early hours of the morning.

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NEWSFLASH
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posted December 01, 2005 08:44 AM     Click Here to See the Profile for NEWSFLASH   Click Here to Email NEWSFLASH     Edit/Delete Message   Reply w/Quote
Rudd and Cooper Join Roberts on Broadway

Actors Paul Rudd and Bradley Cooper have signed up to join Julia Roberts on the New York stage in the revival of Richard Greenberg's Three Days Of Rain. The play, which will mark Roberts' Broadway debut, will begin previews on March 28 and open on April 19 at New York City's Bernard B Jacobs Theatre. The limited run ends on June 18.

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posted December 06, 2005 09:12 AM     Click Here to See the Profile for NEWSFLASH   Click Here to Email NEWSFLASH     Edit/Delete Message   Reply w/Quote
Pinter in Hospital

British playwright Harold Pinter has checked into a London hospital, only a week after backing out of attending the presentation ceremony for his Nobel Prize for Literature in Sweden. The Birthday Party writer, 75, announced last week he would be unable to make the journey to Stockholm on Saturday due to "health reasons," leaving his publisher Stephen Page to accept the 10 million kroner prize. And his agent Judy Daish confirmed yesterday the ailing scriptwriter is back in hospital being treated for an undisclosed illness. She says, "He hasn't been very well for a while. He is back in hospital." Despite Pinter's hospital visit, he was well enough to record the traditional laureate's lecture on Sunday, which will be presented at the Swedish Academy later this month. Daish adds, "He recorded his Nobel lecture yesterday in a studio, so in order for him to have done that presumably he must be stronger than he has been."

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NEWSFLASH
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posted December 29, 2005 09:46 AM     Click Here to See the Profile for NEWSFLASH   Click Here to Email NEWSFLASH     Edit/Delete Message   Reply w/Quote
Lauper Broadway Bound


Eighties pop star Cyndi Lauper is Broadway bound after signing up to replace The Sopranos star Edie Falco in The Threepenny Opera. The singer will make her New York stage debut in March as part of an all-star cast, featuring Alan Cumming, Jim Dale and quirky pop star Nellie McKay. Lauper will play Jenny Diver in the Roundabout Theater Company's upcoming revival of the Kurt Weill/Bertolt Brecht musical. Falco was originally announced for the part, but had to withdraw from the show due to a scheduling conflict. Designer Isaac Mizrahi is among the show's production team.

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posted January 09, 2006 12:53 PM     Click Here to See the Profile for NEWSFLASH   Click Here to Email NEWSFLASH     Edit/Delete Message   Reply w/Quote
Years, billions, falling chandeliers
'Phantom of the Opera' set for B'way record Monday night

NEW YORK (AP) -- Broadway has a new long-run champion: "The Phantom of the Opera."

Andrew Lloyd Webber's lushly romantic musical about a haunted, disfigured composer pining for a beautiful young soprano in the Paris Opera House, was set to surpass "Cats" Monday as the longest-running show in Broadway history.

With performance number 7,486 Monday night, the show was to top Lloyd Webber's feline extravaganza, which closed in September 2000. "Phantom" has lasted nearly 18 years at the Majestic Theatre, where it opened January 26, 1988 -- and the end is nowhere in sight.

Ask Lloyd Webber, whose other megahits include "Jesus Christ Superstar" and "Evita," to explain the phenomenal success of "Phantom," and he says with a laugh, "If I really knew, I would do it again.

"I think there isn't another musical that has been written in the last two decades or so, which has a plot that is so escapist, that allows high romance to happen."

Cameron Mackintosh, the show's savvy producer, agrees.

"The musical is a kind of beauty-and-the-beast story. It appeals to everyone because it is about an impossible love, which I think many of us have had," Mackintosh says.

"The whole framework or design of the show is that you are sucked into this mythical world below the opera house and yet shown something where we can feel the same emotions as one can feel in normal life."

Mackintosh is now in the enviable position of having the three longest-running shows in Broadway history: "Cats," which closed after 7,485 performances, in second place, and "Les Miserables," which shut in May 2003 after 6,680 performances, in third.

Worldwide gross: $3.2 billion
All have been enormously profitable, but the money made by "Phantom" has been staggering. Its worldwide box-office gross -- the show is still running in London, too -- has gone past $3.2 billion. More than 80 million people around the world have seen the musical, which has been presented in two dozen countries.

New York grosses have been nearly $600 million, with the show's falling chandelier seen by nearly 11 million theatergoers at the Majestic. New York has had 11 different Phantoms, starting with Michael Crawford, who originated the role in the London production in October 1986.

Both Lloyd Webber and Mackintosh are wary about predicting how long the musical will run.

A new generation has been turned on to "Phantom" through the release of the movie version and then the DVD, according to Mackintosh. Both have given the musical new life at the box office.

And now, is there life after "Phantom" for the two men?

Mackintosh is busy with several other projects, including co-presenting the Broadway hit "Avenue Q" in London where the musical will open in June. And in the fall, Macktinosh and Disney will produce the stage version of "Mary Poppins" in New York at Disney's New Amsterdam Theatre. An opening is set for November 16.

Lloyd Webber plans to put on his producing hat, too. He may have a hand in producing the first recording for young American singer, 14-year-old Andrea Ross.

Then there is an upcoming London revival of "Evita," directed by Michael Grandage, that Lloyd Webber says is "going to be more Latin than the original." Auditions are down to three actresses for the title character, he revealed -- with a decision to be made after he returns to London from the "Phantom" festivities.

Besides producing a revival of Rodgers and Hammerstein's "The Sound of Music," planned for next October at the London Palladium, the composer is reading three projects right now that may find their way to the stage, but he declined to elaborate.

"I don't want to rush into writing something for the sake of it. Having written 14 musicals now, you don't want to make the 15th something you're doing because you feel you have to," Lloyd Webber says.

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indiedan
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posted February 28, 2006 11:05 AM     Click Here to See the Profile for indiedan   Click Here to Email indiedan     Edit/Delete Message   Reply w/Quote
Oedipus goes 'gangsta' in hip-hop musical By Claudia Parsons

Oedipus, the legendary Greek king who killed his father and married his mother, was "the original gangsta" and a "mack daddy" who looked like James Brown. At least that's how the story goes in a new hip-hop musical.

"The Seven" is an updated version of Aeschylus's tragedy "Seven Against Thebes," the story of the two sons of Oedipus who take up arms against each other after he curses them.

The program for the play includes a glossary explaining that "mack daddy" is slang for "a pimp; or a man who is popular with the ladies," and that Homer was the author of epic poems "The Iliad" and "The Odyssey" before he became a cartoon character on "The Simpsons."

Will Power, the rapper and playwright responsible for "The Seven," said he was drawn to Greek tragedy by the mythology, which reminded him of the larger-than-life figures in the poor black San Francisco neighborhood where he grew up.

"There's so much mythology within my own world," Power said. "A lot of the stories that I have are real-life people but they became larger than life."

Power not only saw connections in the issues and characters of the myths but he also found parallels in the form of Greek verse and rap, both with staccato lyrics and rhythms.

"Supposedly back in the day they were performing it in rhythm, in chanting and dance," said Power, who began performing as a rapper as a teenager before training at the Tisch School of the Arts at New York University.

Power retains the chorus from the Greek form but makes the chorus members play a number of roles in the play, which tells the story of brothers Eteocles and Polynices, who agree to take turns at ruling the city of Thebes, with each being king for a year at a time.

Jealousy and the curse of Oedipus undermine their best intentions, leading Polynices to raise an army led by seven chieftains to march against Thebes and Eteocles.

NEW RIFF ON CLASSIC STORY

Narrated by a DJ and with flashbacks to the legend of Oedipus for the benefit of those not familiar with Greek mythology, the play has won good reviews since opening this month at a 188-seat off-Broadway theater.

"The wild ride of luckless ol' Oedipus -- accidentally offing dad, marrying mom, being dissed by the kids -- is pimped to the nines in 'The Seven,' a frisky and funny new riff on the classic story," The New York Times said in its review.

The musical numbers feature hop-hop, 1970s funk, R&B, gospel and blues and Oedipus has a distinct air of James Brown.

The fast-paced script mixes gags about Trojans (ancient people and condoms) and Apollo (a Greek deity and a Harlem concert hall) with serious moments such as when the fearful people of Thebes lament the war about to engulf their city.

An oily lackey to King Eteocles pumps up the people before the battle, leading them in a chorus of "I'm ready for war" in a scene with clear allusions to current U.S. conflicts.

Power said "The Seven" was about links between past and present, a theme central to his 2003 one-man show "Flow" that was a pioneering work in hip-hop theater, a form still working its way into the mainstream.

About half the members of Power's cast are black and the others are Latino, Asian and white but the audience at a recent performance was largely white and middle-aged. Power would like to see a younger, more diverse crowd.

"Some nights it's all old white folks," he said. "Those old folks are invited, they're welcome ... they often come away really digging it but it's ultimately not for them."

Reuters/VNU

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AuthorAuthor
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posted March 13, 2006 10:02 AM     Click Here to See the Profile for AuthorAuthor   Click Here to Email AuthorAuthor     Edit/Delete Message   Reply w/Quote
Henrik Ibsen’s Ghosts opens 1891 in London

Scandinavian drama is well represented by the twin peaks of Henrik Ibsen
and August Strindberg. Ibsen (1828-1906) managed to cause great
controversy in 1891 when his play Ghosts opened. Dealing as it did with
venereal diseases, it was initially savaged by hostile critics, although
Ibsen’s reputation grew over subsequent years as he was championed by the
likes of George Bernard Shaw. He is credited with being the first major
dramatist to write tragedy about ordinary people in prose. His other
notable works include A Doll’s House (1879) and Peer Gynt (1867). August
Strindberg also caused controversy in his career, writing over fifty plays
in the course of his life, as well as novels, short stories, poems and an
autobiography. He is best remembered for The Father, which depicts the
battle of the sexes, while Miss Julie considers the same topic but this
time injecting the added troubles of class into the story. Strindberg,
considered a master dramatist by Eugene O’Neill, is a founding father of
the drama of naturalism.

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indiedan
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posted March 23, 2006 10:57 AM     Click Here to See the Profile for indiedan   Click Here to Email indiedan     Edit/Delete Message   Reply w/Quote
Actors Campaign for London Theatre Museum


Dame Judi Dench, Dame Diana Rigg and Vanessa Redgrave are among the actors calling for London's Victoria And Albert Theatre Museum to remain open. The museum, which houses a collection of stage costumes including Sir Laurence Olivier's outfit from Richard III, is facing closure after failing to raise $20.4 million for redevelopment. In a letter to British newspaper The Times, the actors write: "We are horrified that this important and world-renowned museum could be closed and its collection broken up. We fear this means that most of the exhibits would no longer be available to the public." Redgrave describes the possible closure of the nearly 20-year-old museum as "a catastrophe."

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NEWSFLASH
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posted March 27, 2006 12:57 PM     Click Here to See the Profile for NEWSFLASH   Click Here to Email NEWSFLASH     Edit/Delete Message   Reply w/Quote
Audience Complains About 'Tarzan' Theater Staging

Walt Disney Co. watcher Jim Hill has suggested that the company may have a serious -- and unsolvable -- problem with the Broadway production of Tarzan, which opened for preview performances on Friday. Hill says that most of the aerial production tricks in which characters swing out over the audience and perform above the stage cannot be seen by audience members seated in the orchestra section below the balcony. Although holders of tickets in that section had the words "obstructed view" stamped on their tickets, Hill writes on his website, jimhillmedia.com, "Several angry audience members confronted the general manager of the Richard Rodgers Theatre in the lobby, insisting that they had paid good money for seats that would only allow them to see a third of Tarzan's first act. Which meant that the deliberately vague term 'obstructed view' didn't even come close to describing how truly awful these seats were."

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MichaelMon
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posted April 03, 2006 09:14 PM     Click Here to See the Profile for MichaelMon   Click Here to Email MichaelMon     Edit/Delete Message   Reply w/Quote
Original Broadway Cast of `Rent' Returns Mon Apr 3, 4:31 PM ET


They are back: the original Broadway cast of "Rent" for one performance only — April 24 — to celebrate the tenth anniversary of the long-running Jonathan Larson musical.

A limited number of $20 same-day lottery tickets will be available for the performance, but most tickets will be priced at $1,000-$2,500 and will include a post-performance party at Cipriani 42nd Street.

The performance will be a benefit for three nonprofit groups — Friends In Deed, the Jonathan Larson Performing Arts Foundation and New York Theatre Workshop, which is where "Rent" originated before moving to Broadway in April 1996.

Among the cast members scheduled to appear are Taye Diggs, Wilson Jermaine Heredia, Jessie L. Martin, Idina Menzel, Adam Pascal, Anthony Rapp and Daphne Rubin-Vega.

Larson died of a heart condition in January 1996, just as "Rent" was to open off-Broadway at New York Theatre Workshop. He was 35.

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indiedan
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posted April 20, 2006 08:48 AM     Click Here to See the Profile for indiedan   Click Here to Email indiedan     Edit/Delete Message   Reply w/Quote
Julia Roberts fails to move Broadway critics By Claudia Parsons
11 minutes ago


Julia Roberts is still Hollywood's ultimate "Pretty Woman" but her first venture onto a Broadway stage failed to convince the critics whose verdict was "modest," "flat" and "lackluster."

Hundreds of fans gathered outside the theater for Wednesday's opening night of "Three Days of Rain" and stars who turned up for the hottest ticket on Broadway included Oprah Winfrey, Tim Robbins and Mayor Michael Bloomberg.

The play is the first professional stage role for the Oscar-winning Roberts, 38. She remains Hollywood's highest-paid actress, commanding $20 million a film, according to The Hollywood Reporter's list of the movie industry's top players.

"For the record, Roberts does not deliver a train wreck of a performance," the Toronto Star said in a review on Thursday headlined "Pretty Woman pretty flat." It said she failed to bring her Oscar-winning screen charisma to the stage.

"Her face, so luminous on screen, barely registers onstage," the review said.

New York Times critic Ben Brantley, whose reviews can make or break a play, confessed to be a "Juliaholic" and said he was nervous on entering the theater "as if a relative or a close friend were about to do something foolish in public."

"Your heart goes out to her when she makes her entrance in the first act and freezes with the unyielding stiffness of an industrial lamppost," Brantley wrote.

Richard Greenberg's play is a drama about a brother and sister who meet up with a childhood friend for the reading of a will. Roberts plays Nan in the first act and then her mother in the second, which takes place a generation earlier.

"She's stiff with self-consciousness (especially in the first act), only glancingly acquainted with the two characters she plays and so deeply, disturbingly beautiful that you don't want to let her out of your sight," Brantley wrote.

"On the few occasions when she smiles, it's with a sunniness that could dispel even 40 days and 40 nights of rain," he added.

RUN ALMOST SOLD OUT

USA Today critic Elysa Gardner was more generous, saying the two roles played to a Broadway newcomer's strengths and potential weaknesses. "In the end, Roberts makes both women credible, compelling and sweetly funny," Gardner wrote.

New York tabloid Newsday's critic Linda Winer was also a fan, saying: "Julia Roberts gives a lean, intelligent, altogether honorable performance."

But good reviews were in the minority.

The Boston Globe said the play was a lackluster "One hundred and fifty minutes of tedium," and added: "Roberts, a cinematic ball of fire, wanders around the stage in the first act as if she's looking for the Prozac."

"Mostly cloudy," was the Washington Post's verdict. "As if marooned on an unfamiliar shore, Julia Roberts staggers hesitantly through 'Three Days of Rain,"' it said.

Roberts' 12-week run is almost entirely sold out. In recent weeks tickets were listed on eBay for as much as $999 for a front-row pair of seats on opening weekend.

Roberts co-stars with Paul Rudd and Bradley Cooper, both also familiar from the screen -- Rudd's credits include "The 40 Year Old Virgin," "Friends" and "Clueless," while Cooper is currently in "Failure to Launch" with Matthew McConaughey.

"It's weird because we are under the microscope in a way that other shows might not be," Rudd told NY1 television.

Roberts won an Oscar for "Erin Brockovich" in 2001 and was nominated for one in 1991 for "Pretty Woman."

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